1857-1914,was a Norwegian artist born in the coastal town of Kragero in Norway. He is famous for his nature paintings on the one hand, and on the other hand for his illustrations of fairytales and legends, especially of trolls. For a time, Kittelsen studied painting and watchmaking. When his talent was discovered by Diderich Maria Aall, he attended classes at the School of Art in Christiania (the present Oslo). Because of generous financial support by Aall he was able to continue his study in Munich. However, in 1879 Diderich Aall could no longer manage to support him, so Kittelsen had to earn his money as a draughtsman for German papers and magazines. When back in Norway, he found nature to be a great inspiration. Kittelsen started to write texts to his drawings here. In 1881, Kittelsen was hired to illustrate Norwegian fairy-tales by the Norwegian folklore collector Peter Christen Asbjornsen. His style could be classified between (Neo-)Romantic and naive painting. As a national artist he is highly respected and well known in Norway, but does not receive much international attention, which is the reason that his name is hardly registered in registers of painters. Black metal bands such as Burzum have used nearly all of his pictures as album art, notably illustrations taken from Kittelsen book Svartedauen (The Black Death).   Related Paintings of Theodor Kittelsen :. | Fete at Rambouillet | Still-Life with Musical Instruments and Fruit | Parnassus | Warren Hastings | Interior of a Church |
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BERCHEM, Nicolaes
Dutch Baroque Era Painter, 1620-1683 Nicolaes Pieterszoon Berchem (1 October 1620 - 18 February 1683) was a highly esteemed and prolific Dutch painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number allegories and genre pieces. Born in Haarlem, he received instruction from his father Pieter Claesz, and from the painters Jan van Goyen, Jan Wils and Claes Cornelisz. Moeyaert. (It is not known why he called himself Berchem or Berighem, and other variants). For some time it was supposed Berchem traveled to Italy with a fellow painter Jan Baptist Weenix, whom he called his cousin. In 1645 he became a member of the Dutch reformed church and married the year after. Being a widower he married the daughter of Jan Wils. Around 1650 he did travel to Westphalia with Jacob van Ruisdael. May be Berchem went to Italy after this trip and before he moved to Amsterdam. Around 1660 he worked for the engraver Jan de Visscher designing an atlas. In 1670 he moved back to Haarlem, but Berchem died in Amsterdam in 1683. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures in works of other artists, like Allaert van Everdingen, Jan Hackaert, Gerrit Dou, Meindert Hobbema and Willem Schellinks. The French Rococo painter Jean-Baptiste Pillement was influenced by his works.
Master of Moulins
French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
Sir Edward john Poynter,Bart.PRA,RWS
1836-1919